Present from the past

Yo. How goes it? I’m still in hibernation mode, which kind of makes sense seeing as it’s still officially winter for another week. Maybe I’ll feel better, and have more of a SPRING in my step then?! Needless to say I’ve ignored my camera for weeks, so it’s fortunate that I still have pics that I haven’t posted yet. Back in September me and my friend M went down to the V&A and this reflection caught my eye while we were queueing to get in.

As is now custom in Covid times we began our visit in the courtyard with our packed lunches. Much warmer and sunnier than the last time I was there at the beginning of December…

This guy on the left was dressed in some sort of pink suit and shorts combo with red knee high socks, and I overheard him getting into lots of conversations throughout the museum as people complimented him on his outfit. I was just talking with a friend yesterday of how we, both in our mid to late forties, don’t wear colourful clothes like we used to when we were younger, as if the last thing you want to do as a middle aged woman is to stand out. I did say that once we get to our fifties/sixties/seventies we’ll stop giving a monkeys and hopefully go bananas with what we wear like the ladies captured on the Advanced Style blog.

Anyway, as usual, I digress. Never have I ever… paid any attention to stained glass windows. But we sought it out this time. The V&A has a great collection of Gothic Revival stained glass, which is much more modern in style, and piqued our interest.

I’ve copied and pasted this from the V&A website: “In Victorian England, society was dominated by industrialisation. The country underwent two seismic changes during this period: the rapid replacement of craft manufacture with mass production, and the depopulation of the countryside, as people flocked to the cities to take up work in the new factories. Many reformers, writers, artists and designers began to publicly question the impact of this form of 'progress', and to search for alternatives. This interest in developing a different kind of social and aesthetic template had its roots in the 18th century. In that period, new styles of writing and architecture had begun to focus on the idealisation of nature and an interest in returning to the simpler and more 'honest' values of the past.”

In a post Covid-19 pandemic world it feels like something similar will shift, but some of it in reverse. Less mass production, more crafts, less living in cities and more living in the countryside, more appreciation and care for nature and hopefully a return to a simpler life. I’m so curious to see what is going to happen in London over the next few years. It’s definitely going to be different. Apparently 700 000 people have left London for good in the past 12 months. Two of my close (and local) friends have moved to the countryside since the pandemic, and M, who lives around the corner, is moving back to Sweden next year, so my social life is for sure going to change 😔.

Anyway - again. Check out this very cool piece. So clean.

Some nice sunbeams on the floor in the space where the stained glass are hung up against the window.

Had a look through the Print Rooms as well, and I really liked this linocut.

And I love Paul Peter Piech’s linocuts so much. His style is amazing.

You know what else is amazing? Tapestries. In an alternative universe I make linocuts and tapestries - I’m really good with my hands there.

The light is always so good in this spot. Must be north facing or not get any direct light as it always looks the same.

I never really twigged that there is a paintings section in the museum, and this one kind of broke my heart. I’ll take more pictures in this room next time I go.

We then continued to the Photography room - of course - and I really liked this circular passpartout. Must remember it next time I frame something.

I wrote about Mark Cohen’s pictures in my last post from the V&A, but I didn’t show this picture close up. So good, isn’t it? One glove is better than none. Or maybe her right hand feels the cold more than the left.

M, perfectly framed by a beautiful view and window.

I wanted to show her this amazing staircase on our way out. Pretty special, huh?

And finally, an autumnal looking me, and with such short hair! I’m growing it out now, but last year I was very grateful for Mr Famapa’s haircutting skills. I might need them again if we find ourselves in lockdown in a year’s time. Time will tell.

It's a wrap

Saw these at the V&A too, and thought they deserved their own little post. The hall they’re standing in is being redecorated, and I’m sure there’d be hell to pay if any grey paint went on any of the sculptures. Either that or they’re in full PPE.

Last dose of culture for the year

Weekend before last, me and my pal D went to the V&A for a dose of culture. Seeing as London is going into tier 3 this week (all indoor social venues will shut again) it was a good call, as in the in-between periods of various levels of lockdown and social distancing rules I’ve been making sure that I’ve kept myself topped up on the places that bring me the most joy. We started with lunch in the courtyard (stunning, isn’t it?) and felt like we were somewhere in Italy. A very cold Italy.

As we were sitting there I saw a guy take a picture of himself with a self-timer, which made me remember my favourite button on the camera. I placed it on a table and ran back for this shot, and we came to the conclusion that from now on I shall always take a self-timer pic of myself whenever I bring the camera somewhere, as I barely exist in pictures.

The V&A is my favourite museum in London; I’ve gone there so many times in the past 28 years, and I still haven’t seen everything. I do feel I’m getting close though, and it’ll be so weird when that happens, but I’ll keep on going, and besides, my interests will keep changing so different parts of the museum will appeal. D took me to the Cast Courts, which I’ve somehow missed in the past, and this is a cast of Trajan’s Column in Rome. It was way too high to show in one piece, but the room was still built high enough so it could be shown in two halves.

Making casts of famous world artefacts was a way to show non-travelling Victorians art and sculptures from around the globe, which is kind of ironically apt for these times we live in too. Like I said, sitting in the courtyard made us feel a million miles away from London, so seeing these golden doors and other casts must have been a wonderful window into what else was out there in the late 1880’s.

Hiya Dave! You alright? I doubt I’ll ever go to Florence so looking at this cast model of Michelangelo’s David is probably the nearest I’ll get to it. I never knew the proportions were so all over the place.

This cast of the baby Jesus (although I would argue that his face is very un-baby like here - look closely and you’ll see what I mean) being kissed on the foot by one of the three wise men made us giggle. The beard makes it look like he’s about to take a huge bite out of little fella’s foot. Actually, maybe he already got the right hand? Nom nom.

I can’t remember where these heads were salvaged from, but they were modelled on the carvers themselves, their friends and family. So cool to think their faces are still here, hundreds and hundreds of years later.

This carving was apparently put up as discouragement for stealing back in the day. There are so many brilliant parts to this carving. Brilliant and funny.

There’s a whole section dedicated to iron work, and this gate caught my eye.

As did this miniature carving, not much bigger than a walnut shell. So cool!

The photography section is really great, and I love this collection of old photographs where you can see the shadows of the people taking the pictures.

Mark Cohen’s colour photography from the 1970’s is a total new find for me. This wall of pictures made me sigh and wish that I was more loose with my picture taking again, like I was pre-blogging. My pictures now sometimes feel so boring and functional. I need to fix that. I just watched a short clip of Cohen taking pictures and it horrified me though. So intrusive! You’d get punched in the face if you did that now, but seeing him not looking through the view finder reminded me of my Lomo days in the late ‘90s, and how fun that was. Maybe it’s time I set myself some challenges from this book which I’ve had for years but not used.

Anyway, anyway, anyway. The last room we looked at was the Tapestries Room which is amazing. The walls are covered by huge Dutch tapestries from 1500, and they’re mind blowing. My head hurts just thinking of all the work that went into them. Pressing the button on a camera is easy yo! Blog post title aside I still have a backlog of my cultural highlights of the year (including another V&A visit in September), so at least here on the blog there will be more culture coming for sure. And hopefully some wonky pictures too :)